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Vous avez sélectionné:
Point Line Spot
Partitions à imprimer
32 partitions trouvées
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1
26
You Spotted Snakes
You Spotted Snakes
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Alex Wilson
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You Spotted Snakes
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Alexander Wilson
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SheetMusicPlus
Brass Ensemble,Brass Quintet - Level 4 - SKU: A0.774857 Composed by Felix Bartholdy Mendelssohn. Arranged by Alex Wilson. Romantic Period. Score and par...
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Brass Ensemble,Brass Quintet - Level 4 - SKU: A0.774857 Composed by Felix Bartholdy Mendelssohn. Arranged by Alex Wilson. Romantic Period. Score and parts. 22 pages. Alexander Wilson #54457. Published by Alexander Wilson (A0.774857). Originally untitled, this movement from Felix Mendelssohn's incidental music to Shakespeare's A Midsummer Night's Dream takes its name from the first line of lyrics. You Spotted Snakes with Double Tongues is a song from the point of view of fairy attendants, who are trying to keep various creatures from disturbing their queen's slumber. As for the music, the style is delicate and lighthearted with a touch of mischief. A great contrast from typical heavy-handed brass literature and a staple of early Romantic music, this piece would make a great addition to any brass quintet collection. Performance time is approximately 4:15. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00 ≈
3.73€
Point Line Spot (for String Orchestra)
Point Line Spot (for String Orchestra)
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Orchestre à Cordes
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Contemporain
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Adrian Borza
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Point Line Spot
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SheetMusicPlus
Composed by Adrian Borza. 20th Century, Contemporary Classical, Modern, Repertoire. Individual Part, Score. 80 pages. Published by Published by Adrian Borza (S0...
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Composed by Adrian Borza. 20th Century, Contemporary Classical, Modern, Repertoire. Individual Part, Score. 80 pages. Published by Published by Adrian Borza (S0.176911). - Individual Part,Score - 20th Century,Contemporary Classical,Modern,Repertoire - Published by Adrian Borza
$24.95 ≈
23.29€
Head Up - Shoulders Back
Head Up - Shoulders Back
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Piano seul
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FACILE
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Judy Lane
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Judy Lane
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Head Up - Shoulders Back
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Judy Lane Music
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SheetMusicPlus
Piano - Level 2 - SKU: A0.1379381 Composed by Judy Lane. Arranged by Judy Lane. Children,March. Educational Exercises. 8 pages. Judy Lane Music #964063....
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Piano - Level 2 - SKU: A0.1379381 Composed by Judy Lane. Arranged by Judy Lane. Children,March. Educational Exercises. 8 pages. Judy Lane Music #964063. Published by Judy Lane Music (A0.1379381). Words and music by Judy Lane - Deportment is important! This fun classroom song endorses a message to stand up tall and not slouch. To emphasize the point, it could be used as an action song with children marching in a line, circle or on the spot to the music with heads held high.Judy Lane was a graduate student at the Royal Academy Of Music in London and studied under Michael Head. She has twice been awarded the Lennox Berkeley Cup in the open composition class at the Oxford Music Festival. Adjudicators/critics have said:- Judy exhibits a flair for setting words to singable melodies and for inventing appropriate moods to suit the context and lyrics Judy's music is like a BREATH OF FRESH AIR 4 score pages - Approx length - 2 minutes. but repeated to suit the event.
$5.99 ≈
5.59€
Arpeggio Flo - Classical - Solo Piano
Arpeggio Flo - Classical - Solo Piano
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Piano seul
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FACILE
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Olly Wedgwood
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Arpeggio Flo - Classical - Sol
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OllysPianoSheets
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.961547 Composed by Olly Wedgwood. Concert,Contemporary,Jazz,Standards. Score. 3 pages. OllysPianoSheets #4793685. Publish...
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Piano Solo - Level 2 - SKU: A0.961547 Composed by Olly Wedgwood. Concert,Contemporary,Jazz,Standards. Score. 3 pages. OllysPianoSheets #4793685. Published by OllysPianoSheets (A0.961547). Arpeggio Flo is a gentle classical piano piece for pianists at the Grade 2 standard, featuring moving broken chords in both the right and left hands.This piano sheet music is in 6/8 time and should have a fairly slow 2-in-a-bar feel (two groups of three quavers in each bar). Have a listen to the performance track whilst looking at the sheet music and that should make sense.It can also be useful to listen to which hand has the melody line - for example, in bar 5 the left hand takes over, so keep the right hand accompaniment at a lower volume than the left hand at this point.You'll also spot a few slightly weird 'small notes' (for example in bar 4 and bar 9). These are called appoggiaturas and are musical ornaments that embellish the melody. The appoggiaturas are played quickly just before the note they belong to. It's probably a good idea to leave them out when you are first learning the piece - keep things simple to start with!Also watch out for the 'poco rit' markings - where the tempo just reduces slightly, and then returns at the 'a tempo' markings. Again - it's a good plan to leave these out when you're just beginning to play this piece.Enjoy the flow of this piece!Explore more fun piano sheet music by Olly Wedgwood at https://ollyspianosheets.com
$3.95 ≈
3.69€
Three Chorales
Three Chorales
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Classique
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Tyler James Cook
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Three Chorales
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Tyler James Cook
#
SheetMusicPlus
Alto Saxophone,Bass Clarinet,Tenor Saxophone - Level 3 - Interactive Download SKU: A0.1370749 Composed by Tyler James Cook (ASCAP). This edition: Interac...
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Alto Saxophone,Bass Clarinet,Tenor Saxophone - Level 3 - Interactive Download SKU: A0.1370749 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download. Classical. 5 pages. Duration 95. Tyler James Cook #2HUZG5hPXoR8zVD8c4eXbC. Published by Tyler James Cook (A0.1370749). Key: C major.Three Chorales (In Diminishing Length)--or Three Chorales for short--is the result of a composing experiment combining a scribbled condensed score in concert C and D major with Noteflight. Typically, I'll write evolving chord progressions and only play them later, seeing what will result from a purely theoretical set of movements. This time, I spot-checked the handwritten score as I went, making adjustments to it and the digital score. The results are still delightfully weird and borderline atonal, but Three Chorales came out well overall (although I'd tweak some of the dynamics for the screeching clarinet part if I ever revisit it). The first chorale is six measures in the original manuscript (seven here to allow the bass clarinet to move to the tonic for a more satisfying chord); the second chorale is five measures; and the third chorale is four measures. Reducing the length of measures added an additional fun challenge in trying to make a musical point in a very short space. I don't know if I succeeded, but I had fun trying!
$2.99 ≈
2.79€
Clashing Destinies
Clashing Destinies
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
#
Brayden Bogdon
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Clashing Destinies
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braben music co.
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1361865 Composed by Brayden Bogdon. 21st Century,Classical,Video Game. 84 pages. Braben music co. #946269. Published by...
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Concert Band - Level 5 - SKU: A0.1361865 Composed by Brayden Bogdon. 21st Century,Classical,Video Game. 84 pages. Braben music co. #946269. Published by braben music co. (A0.1361865). Includes: Digital .pdf w/Full Score and PartsClashing Destinies was originally a work for digital media composed in March-April of 2023, later adapted for Full Orchestra/Symphonic Wind Ensemble. Clashing Destinies takes the listener through a spiral into insanity, starting with the constant thudding of the lows. Even as different parts add on, the thudding persists, representing one's inability to think clearly. There is a sharp dissonant line initially played by the glockenspiel that comes up time and time again, representing the internal panic that cuts through one's rational thoughts during their spiral into madness. Finally we hit the breaking point, a moment of silence followed by the screams of pain one experiences after reaching their breaking point. Soon after, a screaming trumpet takes the spotlight, any form of rational thought has now dithered away. Nothing is left but screams. After an intense battle of struggling to find a grasp on reality, there is a moment of calm. Things slow down as it is believed sanity is being regained, but still, there is that persistent thudding and sharp dissonance. Alas, the realization occurs, it is impossible to regain sanity. As the brass section overtakes the calm of the woodwinds, insanity fully takes over. The homestretch of this piece is pure chaos, every motif comes back. It is one huge reprise of all the feelings that have been experienced, except now they are all sounding much more rapidly, all just a small part of the chaos that is ensuing. Now there is nothing left to do except yell for help. There are three final screams, three final pleads for help. After screaming for help, it is realized... No one is there. Now there is nothing, left unresolved, all alone in the silence.
$14.99 ≈
13.99€
Duets For Violin & Violoncello 97-113 (vol. 7)
Duets For Violin & Violoncello 97-113 (vol. 7)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Socrates Arvanitakis
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Duets For Violin & Violonc
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Socrates Arvanitakis
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1365116 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1365116 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #949422. Published by Socrates Arvanitakis (A0.1365116). GENERAL PREFACE – ΓΕΝΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS97 ΚΛΕΦΤΟΠΟΥΛΑ ΤΑ 1 (The Kleftic Lads 1)98 ΚΛΕΦΤΟΠΟΥΛΑ ΤΑ 2 (The Klephtic Lads 2)99 ΚΟΒΩ ΜΙΑ ΚΛΑΡΑ (I Cut One Branch)100 ΚΟΛΟΚΟΤΡΩΝΑΙΟΙ ΟΙ 1(The Kolokotronis Clan 1)101 ΚΟΛΟΚΟΤΡΩΝΑΙΟΙ ΟΙ 2 (The Kolokotronis Clan 2)102 ΚΟΛΟΚΟΤΡΩΝΑΙΟΙ ΟΙ 3 (The Kolokotronis Clan 3)103 ΚΟΝΤΟΥΛΑ ΛΕΜΟΝΙΑ (Short Lemon Tree)104 ΚΟΡΗ ΑΝΤΡΕΙΩΜΕΝΗ (Brave Maiden)105 ΚΟΡΗ ΚΑΙ ΒΑΣΙΛΙΑΣ (Maiden and The King)106 ΚΟΡΗ ΜΑΛΑΜΑΤΕΝΙΑ 1 in A (Golden Maiden 1)107 ΚΟΡΗ ΜΑΛΑΜΑΤΕΝΙΑ 2 in E (Golden Maiden 2)108 ΚΟΣΤΙΛΑΤΑ (Kostilata Water Springs)109 ΚΟΥΚΟΣ Ο (The Cuckoo)110 ΚΟΦΤΗΝ ΕΛΕΝΗ ΤΗΝ ΕΛΗΑ (Helen, Cut Your Beauty Spot)111 ΚΡΗΤΗ Η (Crete)112 ΚΥΡΑ ΔΑΣΚΑΛΑ (Η) (Mrs Teacher)113 ΚΥΡ-ΑΝΑΓΝΩΣΤΑΙΝΑ Η (Mrs Anagnostena).
$20.00 ≈
18.67€
Oceano
Oceano
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Piano seul
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INTERMÉDIAIRE
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Giorgio Costantini
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Oceano
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Giorgio Costantini
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1255838 By Giorgio Costantini. By Giorgio Costantini. 21st Century,Classical,Contemporary. Score. 4 pages. Giorgio Costan...
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Piano Solo - Level 3 - SKU: A0.1255838 By Giorgio Costantini. By Giorgio Costantini. 21st Century,Classical,Contemporary. Score. 4 pages. Giorgio Costantini #849310. Published by Giorgio Costantini (A0.1255838). In the composition Oceano, harmonic macro movements intersect with rapid melodic embroideries, reminiscent of the ocean's surface where long waves and ripples intertwine, creating an articulate and ever-changing nuance. The piece has a moderate difficulty level, with a focal point in the execution found in the melody of the second section, where the theme is emphasized through a series of reiterated notes within an arpeggio. You can listen to and save the track on Spotify (https://open.spotify.com/track/7hotI3eh4c5MrD8gcfUWEN) and all major online stores. Giorgio Costantini, originally from Venice, is a musician and composer with a prolific career, having performed thousands of concerts worldwide. With extensive experience in live performances and studio work, he has collaborated with numerous successful italian and international artists and contributed to over 30 albums, earning more than 24 gold records in Italy. His compositions have been featured in commercials, television programs, and films, and his project PianoPianoForte has achieved over six million streams on Spotify.
$3.99 ≈
3.72€
Desert Miniatures: Insects
Desert Miniatures: Insects
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Robert McClure
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Desert Miniatures: Insects
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Imagine Music - Digital
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SheetMusicPlus
Bassoon trio - SKU: IZ.BCMW162 Composed by Robert McClure. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 44 pages. Imagine Mus...
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Bassoon trio - SKU: IZ.BCMW162 Composed by Robert McClure. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 44 pages. Imagine Music - Digital #BCMW162. Published by Imagine Music - Digital (IZ.BCMW162). 9 x 12 in inches.Desert Miniatures: Insects was commissioned by Trio Sonora: Robert BeDont, Travis Jones, and Martin VonKlompenberg. The piece reflects on my time living in Tucson, AZ and all of the different types of insects that thrive in the Sonoran Desert. Each miniature selects a particular behavior or quality each insect possesses and explores it musically. Separate from the musical depiction of the insects was the central concept quasi-unison and the hyper-instrument. Instead of treating the three parts as individual important and mutually exclusive, the parts work together to form an imaginary instrument capable of polyphonic sound production. Through micro-polyphony and rhythmic irregularity, this hyper-instrument performs quasiunison gestures that resemble columns of sound rather than melodic lines.I. Many Hued GrasshopperI encountered many of these grasshoppers while hiking in the late summer and early fall months. They are brightly colored with purple and red accents against green wings and powerful light-green legs. As I would walk through tall grasses in the mountains, the path would explode with many grasshoppers leaping all around me. These bursts as well as the grasshopper's signature buzzing sound are the focal point of the miniature.II. Cactus BeeThese bees are solitary and live underground. They collect the nectar of cactus flowers. The bassoons combine to create a flurry of activity representing a particular bee going about her daily business of collecting nectar and returning to her subterranean nest.III.Arizona Red Spotted PurpleThese butterflies employ an ingenious evolutionary tactic for survival: mimicry. They look very similar to the Pipevine Swallowtail, a blueish-black butterfly that is noxious for birds to eat. Even more, the caterpillar of the Arizona Red Spotted Purple employs mimicry through resembling bird droppings or other objectionable material. Mimicry is the primary musical device employed in this miniature.IV. Fire AntAnyone who has ever accidentally stepped on a Fire Ant hill knows how painful the stings are. This unfortunately happened to me on my first day as anArizona resident. While each ant is an individual, the workers carry out simple and direct tasks. It was this quasi-unison behavior plus the martial and driving force of survival that informed the musical treatment of this miniature.
$18.00 ≈
16.80€
Bubbles, Floating Bubbles (piano solo)
Bubbles, Floating Bubbles (piano solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Juan MarÃa Solare
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if not, 3 minutes)
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Bubbles, Floating Bubbles
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1134936 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pages. ...
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Piano Solo - Level 4 - SKU: A0.1134936 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pages. Juan Maria Solare #652301. Published by Juan Maria Solare (A0.1134936). Juan María Solare: Bubbles, Floating Bubbles - a polyrhythmic etude Concert etude composed in Bremen (2-3 July) and Worpswede (5 July 2010). Duration: 4:30 (if the repetition -from bar 28 to the end- is being played; if not, 3 minutes). Bublles, Floating Bubbles - by Juan María Solare Bubbles, Floating Bubbles on Youtube: Bubbles, Floating Bubbles on Spotify: This composition is a concert etude, since it can be performed at a recital (and not only used to practice). The degree of virtuosity is relatively low, but nevertheless not suitable for absolute beginners. Technically, the main characteristic of this piece is the polyrhythm 2 against 3: the melody subdivides the quarter in 2, and the accompaniment plays triplets. In this sense, an answer to Carl Czerny's polyrhythmic studie in E major. Please use abundant pedal when playing this piece. The idea is to generate a cloud of sound, not a machinal pattern. The sound character of this piece should be closer to Debussy than to Scarlatti. The initial indication scorrevole (fleeting) should orientate the character and the sound quality, the touch. Fermatas and caesuras should add time to the bar, like breathing in. In bar 8 (end) the silence is only in he left hand: the note of the right hand shouldn't be interrupted. This is actually clear if one read the rhythms carefully, but my experience tells me that it is prudent to underline this particular point. In bar 16 (and similar places), left hand: it is the central melody what should be in foreground, not the bass. Imagine that the melody is played by a cello or viola, and the bass by a double bass (or better: a bassoon). Try to achieve a different timbre and to separate therefore both layers. The title refers to this poem: Sum venti ingenium breve Flos sum, scilicet, aeris …… Sum blandum, petulans, vagum, Pulchrum, purpureum, et decens, Comptum, floridulum, et recens. Richard Crashaw -Jacobean English poet- (1613-1649), Bulla (Bubble) I am the brief nature of the wind To be sure, I am the flower of air ...... I am charming, wanton, inconstant, Beautiful, gleaming, and noble, Ornate, somewhat blooming, and fresh.
$3.00 ≈
2.80€
Red Polka Dots On Green
Red Polka Dots On Green
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Neille Williams
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Red Polka Dots On Green
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Neille Williams
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1005860 Composed by Neille Williams. Contemporary,Jazz,Pop. Score and parts. 47 pages. Neille Williams #6202355. Publis...
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Concert Band - Level 3 - SKU: A0.1005860 Composed by Neille Williams. Contemporary,Jazz,Pop. Score and parts. 47 pages. Neille Williams #6202355. Published by Neille Williams (A0.1005860). For concert band - GRADE 3. The low woodwinds have the spotlight in this lovely piece reminiscent of a jazz waltz. Layers of counterpoint bathe the piece in an ethereal wash of beautiful textures and colours which soar above the melody line. It's an arrangement that your band will adore playing!Concert Band - GRADE 3. DURATION: 2’.05’Program notes:The low woodwinds have the spotlight in this lovely piece reminiscent of a jazz waltz. Layers of counterpoint bathe the piece in an ethereal wash of beautiful textures and colours which soar above the melody line.Rehearsal notes:This study in counterpoint needs clear layers with beautifully balanced and blended dynamics and tone. The piece should build up gradually with crescendos and decrescendos carefully observed so that the band swells and fades as a whole, particularly at rehearsal figure B. The chromatic phrases at rehearsal figures B and D need to be smooth and in time, not at all hurried. The melody is a feature for the lower instruments, including tuba, and is an opportunity for these instruments to explore increased ranges and to work on a full well- rounded, lyrical tone.About the composer:Neille Williams is a multi-instrumentalist, singer and composer based in Canberra, Australia. After graduating from the Sydney Conservatorium of Music, Neille worked as an in-demand musician, composer and conductor on the Sydney music scene before taking her talents abroad. Neille’s original works have been performed all over the world and on Australia’s ABC radio. *all music published by nwilliamscreative **more pieces and information available at nwilliamscreative.com ***copyright Neille Williams 2015
$59.95 ≈
55.95€
Just Like Dad!
Just Like Dad!
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Piano seul
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DÉBUTANT
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W
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Just Like Dad!
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The FJH Music Company - Digital
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SheetMusicPlus
Piano Solo - Elementary - SKU: F0.S4126 Composed by W.T. Skye Garcia. Sheet Music. Spotlight Solo Sheets. With its melodic bass line and light arpeggios...
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Piano Solo - Elementary - SKU: F0.S4126 Composed by W.T. Skye Garcia. Sheet Music. Spotlight Solo Sheets. With its melodic bass line and light arpeggios in the right hand, a wondrously impressionistic solo is created. Solo Sheet. 3 pages. The FJH Music Company - Digital #S4126. Published by The FJH Music Company - Digital (F0.S4126). UPC: 674398214785.Playing this piece for Dad on his birthday, or on Father's Day would make a great gift. Lyrics are written from the child's viewpoint about his/her very best friend (Dad). Middle C position, with jazzy eighth notes. Rhythmic teacher accompaniment. About FJH Spotlight Solo SheetsMotivating piano solos written for study and performance.
$2.50 ≈
2.33€
Again and Again: 2nd B-flat Trumpet
Again and Again: 2nd B-flat Trumpet
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Trompette (partie séparée)
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Methodes
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Benny Carter
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Again and Again: 2nd B-flat Tr
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016189_T2 2nd B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet...
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Jazz Ensemble - SKU: AX.00-PC-0016189_T2 2nd B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T2). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00 ≈
2.80€
Again and Again: String Bass
Again and Again: String Bass
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Contrebasse (partie séparée)
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Methodes
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Benny Carter
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Again and Again: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016189_SB String Bass. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music ...
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Jazz Ensemble - SKU: AX.00-PC-0016189_SB String Bass. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_SB). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00 ≈
2.80€
Again and Again: Piano Accompaniment
Again and Again: Piano Accompaniment
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Piano (partie séparée)
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Methodes
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Benny Carter
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Again and Again: Piano Accompa
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016189_K Piano Accompaniment. Composed by Benny Carter. Instructional. Part. 4 pages. Alfred Music - Digital Sheet...
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Jazz Ensemble - SKU: AX.00-PC-0016189_K Piano Accompaniment. Composed by Benny Carter. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_K). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00 ≈
2.80€
Again and Again: 3rd Trombone
Again and Again: 3rd Trombone
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Trombone (partie séparée)
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Methodes
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Benny Carter
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Again and Again: 3rd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016189_TN3 3rd Trombone. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Musi...
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Jazz Ensemble - SKU: AX.00-PC-0016189_TN3 3rd Trombone. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_TN3). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00 ≈
2.80€
Again and Again: 4th Trombone
Again and Again: 4th Trombone
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Trombone (partie séparée)
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Methodes
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Benny Carter
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Again and Again: 4th Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016189_TN4 4th Trombone. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Musi...
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Jazz Ensemble - SKU: AX.00-PC-0016189_TN4 4th Trombone. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_TN4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_TN4). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00 ≈
2.80€
Again and Again: 2nd E-flat Alto Saxophone
Again and Again: 2nd E-flat Alto Saxophone
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Saxophone (partie séparée)
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Methodes
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Benny Carter
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Again and Again: 2nd E-flat Al
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016189_AX2 2nd E-flat Alto Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digit...
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Jazz Ensemble - SKU: AX.00-PC-0016189_AX2 2nd E-flat Alto Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_AX2). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00 ≈
2.80€
Again and Again: Drums
Again and Again: Drums
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Batterie (partie séparée)
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Methodes
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Benny Carter
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Again and Again: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016189_D Drums. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-...
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Jazz Ensemble - SKU: AX.00-PC-0016189_D Drums. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_D). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00 ≈
2.80€
Again and Again: E-flat Baritone Saxophone
Again and Again: E-flat Baritone Saxophone
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Saxophone (partie séparée)
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Methodes
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Benny Carter
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Again and Again: E-flat Barito
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016189_BTX E-flat Baritone Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digit...
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Jazz Ensemble - SKU: AX.00-PC-0016189_BTX E-flat Baritone Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_BTX). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00 ≈
2.80€
Again and Again: 2nd B-flat Tenor Saxophone
Again and Again: 2nd B-flat Tenor Saxophone
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Saxophone (partie séparée)
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Methodes
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Benny Carter
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Again and Again: 2nd B-flat Te
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016189_TX2 2nd B-flat Tenor Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digi...
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Jazz Ensemble - SKU: AX.00-PC-0016189_TX2 2nd B-flat Tenor Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_TX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_TX2). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00 ≈
2.80€
Again and Again: 1st B-flat Trumpet
Again and Again: 1st B-flat Trumpet
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Trompette (partie séparée)
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Methodes
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Benny Carter
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Again and Again: 1st B-flat Tr
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016189_T1 1st B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet...
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Jazz Ensemble - SKU: AX.00-PC-0016189_T1 1st B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T1). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00 ≈
2.80€
Again and Again: Score
Again and Again: Score
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Ensemble Jazz
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Methodes
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Benny Carter
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Again and Again: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PR-0004481 Score. Composed by Benny Carter. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-...
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Jazz Ensemble - SKU: AX.00-PR-0004481 Score. Composed by Benny Carter. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0004481. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004481). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$10.00 ≈
9.33€
Again and Again: Guitar
Again and Again: Guitar
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Guitare (partie séparée)
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Methodes
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Benny Carter
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Again and Again: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016189_G Guitar. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC...
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Jazz Ensemble - SKU: AX.00-PC-0016189_G Guitar. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_G). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00 ≈
2.80€
Again and Again: E-flat Alto Saxophone
Again and Again: E-flat Alto Saxophone
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Saxophone (partie séparée)
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Methodes
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Benny Carter
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Again and Again: E-flat Alto S
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016189_AX1 E-flat Alto Saxophone. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital S...
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Jazz Ensemble - SKU: AX.00-PC-0016189_AX1 E-flat Alto Saxophone. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_AX1). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00 ≈
2.80€
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Point Line Spot
